Fluxblog Weekly #148: Unpopular Pop playlist, Marit Larsen, McLusky, Silures, Spektrum
February 23rd, 2018
16 Years Of Unpopular Pop
This is a collection of the finest non-hit pop songs from the 16 year history of this site. (Well, actually, one legit hit made it through because it fit in nicely.) It’s basically nothing but world-class bangers.
You can experience it as an Apple Music playlist, a Spotify playlist, or as an expanded download version featuring 16 extra songs that are not available on streaming platforms. I’ve marked the bonus songs in the track listing for the download set below.
DOWNLOAD PART 1
Scissor Sisters “Paul McCartney” / In Flagranti “Genital Blue Room” / Spektrum “Don’t Be Shy” / Goldfrapp “Ride A White Horse” / The Silures “21 Ghosts” / Basement Jaxx “Cish Cash” / Rachel Stevens “Some Girls” / Klanguage “Never Over” / Kylie Minogue “Sweet Music” / Annie “Chewing Gum” / Pleasure “Out of Love” * / Architecture in Helsinki “That Beep” / Out Hud “It’s For You” * / Matthew Dear “Don and Sherri” / Bossanova “Rare Brazil” / Enon “Daughter in the House of Fools” / Katy Rose “Rosemary” * / Fox N’ Wolf “Youth Alcoholic” / The Knife “Heartbeats” / Revl9n “Walking Machine” / AG Cook feat. Hannah Diamond “Keri Baby” / GFOTY “Don’t Wanna/Let’s Do It” / Poppy “My Style” / Grimes “Artangels” / White Hinterland “Chill and Natural” / Von Sudenfed “Fledermaus Can’t Get It” / Björk “Innocence” / Justice “DVNO” / Kate Nash “Pumpkin Soup” / Yelle “Tristesse/Joie” / Girls Aloud “Black Jacks” / Veronica Maggio “Gammal Sång” * / Kimbra “Madhouse” / Hemme Fatale “Animal Lover” * / Alphabeat “Heatwave” / Ellie Goulding “Anything Could Happen” / Sissy Wish “Float” / Fight Like Apes “Pop Itch” / Carly Rae Jepsen “Tiny Little Bows” / Brown Eyed Girls “날아갈래” / Junior Senior “We R the Handclaps” / Gameboy/Gamegirl “Sweaty Wet/Dirty Damp” / Muscles “Chocolate, Raspberry, Lemon, and Lime” / Crossover “Extensive Care”
DOWNLOAD PART 2
Sleigh Bells “Crown on the Ground” / Maria Magdalena “CVMC (Cada Vez Mas Cerca)” / Friendly Fires “Hurting” / The Rapture “Whoo! Alright – Yeah… Uh-Huh” / M.I.A. “URAQT” / Ce’cile “Rude Bwoy Thug Life” / Redinho “Playing with Fire” / CSS “Let’s Make Love and Listen to Death From Above” / Spank Rock “Sweet Talk” / Stazi “Love Is Lethal” * / Yellow Note vs. Pukka “Naked, Drunk, and Horny” / Armand Van Helden feat. Spalding Rockwell “Hear My Name” / Cut Copy “Saturdays” / Quarks “I Walk” + / QT “Hey QT” / Peaches “Dumb Fuck” / Heloise and the Savoir Faire Dancers “Odyle” / Tracy and the Plastics “Henrietta” * / Junesex “Gets Close to Mine” / Mouse on Mars “Mine Is In Yours” / LCD Soundsystem “Yeah (Crass Version)” / Ladytron “Destroy Everything You Touch” / Of Montreal “The Party’s Crashing Us (I Am the World Trade Center Remix)” / Futon “Gay Boy” + / Dog Ruff “Jon E Storm” * / Chicks on Speed “Shick Shaving” * / Avenue D feat. Cazwell “The Sex That I Need” / Gene Serene “Electric Dreams” / Vanessinha & Alessandra “Gira” * / United State of Electronica “La Discoteca” * / Planningtorock “I Wanna Bite Ya” / Nouveau Riche “Take Me Home” * / Hilary Duff “Danger” / SEVENTEEN “Change Up” / Britney Spears “How I Roll” / MNDR “Cut Me Out” / Skrillex “Stranger” / Sophie “Lemonade” / Saint Pepsi “Better” / Sky Ferreira “I Blame Myself” / Lolita Storm “Dancing with the Ibiza Dogs” * / Chairlift “I Belong In Your Arms” / Au Revoir Simone “Through the Backyards” / La Big Vic “All That Heaven Allows” / Rework “Not Quite Like Any Other”
* = Not on either Spotify or Apple
+ = On Apple, but not Spotify
February 22nd, 2018
We Dive Into Devotion
Marit Larsen “The Sinking Game”
Marit Larsen’s solo debut Under the Surface was released in her native Norway in March of 2006, nearly eight months before Taylor Swift released her own debut in late October. Larsen and Swift’s aesthetics overlap a lot, particularly as Swift phased out the more overtly country rock elements of her debut in favor of the sort of hyper romantic, vaguely twee princess-y vibe Larsen was chasing from the start. I wonder if Swift ever actually encountered this music. It seems possible, but who knows. It’s just clear to me that on all the levels that truly matter – approach to melody and arrangement, lyrical fixations, an apparent fascination with fairy tale aesthetics – they are kindred spirits. But, like, Taylor Swift is one of the most famous pop stars in history, and Larsen is virtually unknown in the United States outside of being a member of the short-lived early ’00s teen pop duo M2M.
This is a shame, as I am certain that there are literally millions of people who would love her solo work – but especially Under the Surface – if they ever had the chance to hear it. “The Sinking Game” is a big favorite for me, and it’s a great example of the sort of earnestly romantic quasi-country rock she excels at making. It’s a very graceful piece of music, particularly during its instrumental bridge section, but it’s really a song about abandoning poise and allowing yourself to open yourself up to big, messy emotions. A lot of Larsen’s early songs describe love in somewhat passive terms, but this song is about willfully leaping into it. It sounds scary and joyful at the same time, and every breaking into the chorus feels like a dive into the unknown.
Buy it from Amazon.
February 21st, 2018
BORN TO HANG AND PROUD OF IT
McLusky “That Man Will Not Hang”
The clever thing about McLusky is that they knew how to express anger, bile, cynicism, and bitterness in vivid and visceral ways, but also knew how to make that genuine feeling also come off as dumb and funny. The best McLusky songs allow you to connect with the guy who is in a sputtering rage on a cathartic level, but also someone pointing and laughing at that guy on an intellectual level. As great and wonderfully specific as Andy Falkous’ lyrics could be, it’s sorta like he was singing in an entire language made up of different inflections of “fuck you.”
“That Man Will Not Hang” is the platonic ideal of a McLusky song – a pummeling bass line, a vicious vocal, and a heavy final sequence that intensifies an already intense song. Falkous starts the song off with a fanciful image – “there’s a story on a thimble on a dimple on a pea” – and proceeds from there to paint a portrait of some pathetic asshole whose greatest crime seems to be that he “introduced me to the joys of doubt” and “gave away his heart like it was his to give away.” Falkous sings about this guy in a way that makes you want to hate him too, but if you listen a bit closer, he seems more like a dumb chump who’s been taken for a ride.
Buy it from Amazon.
February 20th, 2018
They’re Swallowing Me Whole
The Silures “21 Ghosts (Part 1)”
At the time “21 Ghosts” was released in 2003, a techno approximation of a glam rock shuffle was very on-trend in electronic music. Goldfrapp released their signature hit “Strict Machine” around the same time, and artists on Michael Mayer’s Kompakt label were rapidly iterating on the “schaffel” sound. I love this aesthetic – sleek, sexy, intimidating – and wish it would come back in style. In context, this sound came out near the end of the electroclash phase and pushed that sort of cheeky hedonism into a more severe, aggressive, and kinky place. (Not for nothing, but “21 Ghosts” is a song that casually mentions watersports.)
“21 Ghosts” was the result of a collaboration between the French producer Vitalic and the American punk singer Linda Lamb, and appears on a one-off EP called All You Can Eat. There’s two versions of the song, but I strongly prefer this one, which has this violent, urgent feeling to it. I like the way Lamb’s nasal NYC accent contrasts with the harsh, grinding tone of the music – it’s like she’s trapped inside this machine. The lyrics flip between evocative nonsense – “lady fancy knickers likes watersports,” “look out, Argentina just scored another goal!” – and a creepy account of being haunted by precisely 21 ghosts. It’s a horror song, but it’s not necessarily the supernatural element that makes it scary. It’s more about feeling like you have no agency, and that you have no choice but to be passive as outside forces dominate you.
But really, if you wanna TL;DR this, let me just say this: This is one of the greatest bangers to ever be featured on this site. It is one of the best songs of the entire 2000s.
Buy it from Amazon.
February 19th, 2018
Oh My God Let’s Dance Forever
Spektrum “Don’t Be Shy”
Spektrum’s songs have a dominating, forceful quality – heavy electro-funk so strong that it overrides all physical inhibitions. The boldness doesn’t end at the groove, either. Lola Olafisoye’s vocals and lyrics get absolutely filthy, and at times it seems as though she’s trying to make you blush. “Don’t Be Shy” is an industrial-strength banger on par with the wildest Basement Jaxx tracks and features a particularly sassy and seductive performance by Olafisoye, who spends the entire track enticing you to drop all your reservations and surrender to the music and to do… well, she has some very specific instructions for you. You can just listen to the song to find out.
Buy it from Amazon.